Michael Hope’s profile
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Seen, or going to see
- Pride And Prejudice* (*sort of), Criterion Theatre, London, 15th October 2021 – 5th February 2022
- The Bridges of Madison County, Menier Chocolate Factory, London, Menier Chocolate Factory, in association wth Michael Harrison and David Ian, 13th July – 14th September 2019
- Rosmersholm, Duke of York’s Theatre, London, 24th April – 20th July 2019
- Fiddler on the Roof, Broadway Theatre (W. 53rd St), New York, 20th December 2015 – 31st December 2016
- Mr Foote’s Other Leg, Hampstead Theatre and Theatre Royal, Haymarket, London, 14th September 2015 – 23rd January 2016
- Guys and Dolls, Savoy Theatre, London, Phoenix Theatre, London, and other locations, 2015 – 21st August 2016
- Hay Fever, Theatre Royal, Bath and Duke of York’s Theatre, London, 20th August 2014 – 1st August 2015
- End Of The Rainbow, Belasco Theatre, New York, 2nd April – 19th August 2012
- Sweeney Todd, Adelphi Theatre, London and Chichester Festival Theatre, 24th September 2011 – 22nd September 2012
- The Drowsy Chaperone, Novello Theatre, London, 6th June – 4th August 2007
- Alarms & Excursions, Theatre Royal, Bath, Yvonne Arnaud Theatre, Guildford, and other locations, Michael Codron and Lee Dean, 15th July 1998 – 6th March 1999
- Whistle Down The Wind, Aldwych Theatre, London, 22nd June 1998 – 6th January 2001
- Things We Do for Love, Duchess Theatre, London, Yvonne Arnaud Theatre, Guildford, and other locations, 10th February 1998 – 30th January 1999
- Damn Yankees, Adelphi Theatre, London, Alan Schuster, Frank and Woji Gero, Fred H. Krones, Mike Skipper, and Mitchell Maxwell, Victoria Maxwell, 4th June – 9th August 1997
- Laughter on the 23rd Floor, Theatre Royal, Bath, Richmond Theatre, and other locations, Paddy Wilson and Laurence Myers, in assoc. with Bialystock and Bloom Ltd. for York St. Prod., 1995 – 1st March 1997
- Indian Ink, Aldwych Theatre, London and Yvonne Arnaud Theatre, Guildford, Michael Codron and Yvonne Arnaud Theatre, 1st February 1995 – 6th January 1996
- City of Angels, Prince of Wales Theatre, London, Felisa Vanoff Ltd and Roger Berlind Ltd, 30th March – 13th November 1993
- Me and My Girl, Adelphi Theatre, London, Me and My Girl, 12th February 1985 – 16th January 1993
- Assassins, Donmar Warehouse, London, 22nd October 1992 – 9th January 1993
- Kiss of the Spider Woman, Shaftesbury Theatre (1963 – Present Day), London, 8th October 1992 – 17th July 1993
- Lettice and Lovage, Globe (Shaftesbury Ave), London (now Gielgud Theatre, London), Robert Fox Ltd, Roger Berlind, and Shubert Organisation, 27th October 1987 – 27th January 1990
- Steel Magnolias, Lyric Theatre (Shaftesbury Ave), London, 7th March – 5th August 1989
- Chess, Prince Edward Theatre, London, 14th May 1986 – 8th April 1989
- The Mystery of Edwin Drood, Savoy Theatre, London, 7th May – 4th July 1987
- Woman in Mind, Vaudeville Theatre, (Strand) London, 3rd September 1986 – 4th July 1987
- Mr & Mrs Nobody, Garrick Theatre, London, 17th November 1986 – 14th March 1987
- La Cage aux Folles, London Palladium, 7th May 1986 – 31st January 1987
- Made in Bangkok, Aldwych Theatre, London, 18th March – 12th July 1986
- Little Shop of Horrors, Comedy Theatre, London (now Harold Pinter Theatre, London), Cameron Mackintosh Productions, 1st January 1983 – 5th October 1985
- 40 Years On, Queen’s Theatre, (Shaftesbury Ave) London (now Sondheim Theatre, London), 13th August 1984 – 12th January 1985
- Stepping Out, Duke of York’s Theatre, London, 24th September 1984 – 1st July 1987
- Marilyn, Adelphi Theatre, London, 17th March – 30th July 1983
- Daisy Pulls It Off, Globe (Shaftesbury Ave), London (now Gielgud Theatre, London) and Nuffield Theatre, Southampton, Nuffield Theatre Company and Really Useful Theatre Company Ltd, 13th January 1983 – 15th February 1986
- The Pirates of Penzance, Theatre Royal, Drury Lane, London, Michael White, 26th May 1982 – 1983
- Moving, Queen’s Theatre, (Shaftesbury Ave) London (now Sondheim Theatre, London), 21st January – 18th July 1981
- Taking Steps, Lyric Theatre (Shaftesbury Ave), London, 2nd September 1980 – 6th June 1981
- Middle Age Spread, Lyric Theatre (Shaftesbury Ave), London and Apollo Theatre (Shaftesbury Avenue), London, John Gale for Lisden Productions, 17th October 1979 – 7th February 1981
- On the Twentieth Century, Her Majesty’s Theatre, London, Harold Fielding, 19th March – 9th August 1980
- Stage Struck, Richmond Theatre and Vaudeville Theatre, (Strand) London, 5th November 1979 – 1980
- Filumena, Lyric Theatre (Shaftesbury Ave), London, 2nd November 1977 – July 1979
- Ten Times Table, Globe (Shaftesbury Ave), London (now Gielgud Theatre, London), 5th April 1978 – 3rd March 1979
- Can You Hear Me At The Back?, Theatre Royal, Bath and Piccadilly Theatre, London, 1978 – February 1980
- I Love My Wife, Prince of Wales Theatre, London, Harold Fielding, 6th October 1977 – 7th October 1978
- A Murder is Announced, Vaudeville Theatre, (Strand) London, Peter Saunders, 21st September 1977 – 30th September 1978
- Something’s Afoot, Ambassadors Theatre, London, 17th June 1977 – 7th January 1978
- The Bed Before Yesterday, Lyric Theatre (Shaftesbury Ave), London, The Lyric Theatre Company, 9th December 1975 – April 1977
- Same Time Next Year, Prince of Wales Theatre, London, 23rd September 1976 – 1977
- Banana Ridge, Savoy Theatre, London and Yvonne Arnaud Theatre, Guildford, Eddie Kulukundis, H M Tennent Ltd, Ray Cooney, S Spencer Davids, and Yvonne Arnaud Theatre Guildford, 8th June 1976 – 13th August 1977
- Billy, Theatre Royal, Drury Lane, London, 1st May 1974 – July 1976
- Roger’s Last Stand, Duke of York’s Theatre, London, Theatre Royal, Newcastle upon Tyne, and other locations, Charles Ross Productions, 15th September 1975 – 3rd April 1976
- Deja Revue, New London Theatre, London (now Gillian Lynne Theatre, London), 30th December 1974 – March 1975
- The Gentle Hook, Piccadilly Theatre, London, Yvonne Arnaud Theatre, Guildford, and other locations, Bill Freedman and Eddie Kulukundis, 30th September 1974 – 26th April 1975
- Chez Nous, Globe (Shaftesbury Ave), London (now Gielgud Theatre, London), 6th February – August 1974
- The Norman Conquests, Globe (Shaftesbury Ave), London (now Gielgud Theatre, London), Apollo Theatre (Shaftesbury Avenue), London, and other locations, 9th May 1974 – 13th March 1976
- The Constant Wife, Albery Theatre (now Noël Coward Theatre), London, 19th September 1973 – May 1974
- At the End of the Day, Savoy Theatre, London, 3rd October 1973 – March 1974
- Gypsy, Piccadilly Theatre, London, 29th May 1973 – February 1974
- Dandy Dick, Garrick Theatre, London, 17th October 1973 – 1974
- Two and Two Make Sex, Cambridge Theatre, London, King’s Theatre, Southsea, and other locations, Ray Cooney Productions Ltd, 23rd July 1973 – 9th November 1974
- Private Lives, Queen’s Theatre, (Shaftesbury Ave) London (now Sondheim Theatre, London) and Globe (Shaftesbury Ave), London (now Gielgud Theatre, London), H M Tennent Ltd, 21st September 1972 – 26th January 1974
- Suddenly at Home, Fortune Theatre, London, 30th September 1971 – June 1973
- Habeas Corpus, Lyric Theatre (Shaftesbury Ave), London and Oxford Playhouse, Michael Codron in association with Stoll Productions, 23rd April 1973 – 10th August 1974
- A Private Matter, Vaudeville Theatre, (Strand) London, 21st February – May 1973
- Don’t Just Lie There, Say Something!, Garrick Theatre, London, 15th September 1971 – 3rd March 1973
- Time and Time Again, Comedy Theatre, London (now Harold Pinter Theatre, London), 16th August 1972 – March 1973
- The Wolf, Oxford Playhouse, Apollo Theatre (Shaftesbury Avenue), London, and other locations, 1973 – May 1974
- My Fat Friend, Globe (Shaftesbury Ave), London (now Gielgud Theatre, London), Theatre Royal, Brighton, and other locations, Michael Codron, 6th November 1972 – 30th June 1973
- The Day After the Fair, Lyric Theatre (Shaftesbury Ave), London, started 4th October 1972
- How the Other Half Loves, Lyric Theatre (Shaftesbury Ave), London, 5th August 1970 – 30th September 1972
- Lloyd George Knew My Father, Savoy Theatre, London, St Martin’s Theatre, London, and other locations, Ray Cooney Productions and Volcano Productions, 13th June 1972 – 19th January 1974
- Big Bad Mouse, Prince of Wales Theatre, London, September 1971 – January 1972
- Move Over Mrs Markham, Vaudeville Theatre, (Strand) London, King’s Theatre, Southsea, and other locations, Peter Saunders in association with Ray Cooney, 15th February 1971 – 17th February 1973
- Play It Again, Sam, Globe (Shaftesbury Ave), London (now Gielgud Theatre, London), 11th September 1969 – June 1970
- Who Killed Santa Claus?, Piccadilly Theatre, London, Grand Theatre, Wolverhampton, and other locations, Bill Freedman and Alexander H Cohen Ltd, 9th February – 26th September 1970
- The Real Inspector Hound, Criterion Theatre, London, 17th June – ? 1968
- The Aspern Papers, Unknown location, dates unknown
- Joined 5th May 2020.
- Last logged in on 28th May 2022.
Last five observations
- To production of The Belle of Amherst, by William Luce, Longacre Theatre, New York, 27th April - 8th August 1976: “Julie Harris won the 1977 Tony Award for Best Actress in a Play for this production.”
- To production of Spokesong, by Stewart Parker, Circle in the Square, New York, 24th February - 20th May 1979: “Joseph Maher was a 1979 Tony Award Nominee as Best Featured Actor in a Play”
- To production of The Good Companions, by Ronald Harwood, Johnny Mercer, and Andre Previn, Her Majesty's Theatre, London and Palace Theatre, Manchester, 7th June 1974 - January 1975: “The part of Susie Dean was originally played by Celia Bannerman but the role was taken over by Marti Webb during the Manchester tryout.”
- To production of Jeeves, by Alan Ayckbourn and Andrew Lloyd Webber, Bristol Hippodrome and Her Majesty's Theatre, London, March - 24th May 1975: “This production had a very difficult history starting with the try-out at Bristol Hippodrome, when the first preview lasted over four hours. There were backstage arguments among the writers and director and during the London previews the original director Eric Thompson was replaced by Alan Ayckbourn. Betty Marsden did not even make it to London. Her part as Aunt Dahlia was cut whilst the show was still in Bristol. The show was savaged by the critics and lasted a month. Twenty years later, after the dust had settled, Andrew Lloyd Webber and Alan Ayckbourn had another look at the show and revised and simplified it. This time under the title of “By Jeeves” it had a more successful West End run and also appeared on Broadway.”
- To Allan Davis Ltd and Volcano Productions production of A Touch of Spring, by Samuel Taylor, Comedy Theatre, London (now Harold Pinter Theatre, London), Alexandra Theatre, Birmingham, and other locations, 14th April 1975 - 1976: “The part played by Hayley Mills in this production was played by her sister Juliet Mills in the film version.”
Last ten changes
- production of Our Boys, by Jonathan Lewis, Donmar Warehouse, London and Derby Playhouse, 17th March - 13th May 1995
- production of The Nose, by Alistair Beaton, Nottingham Playhouse, 25th March - 15th April 1995
- production of The Nose, by Alistair Beaton, Nottingham Playhouse, 25th March - 15th April 1995
- The Nose, by Alistair Beaton
- Cambridge University Marlowe Society production of The Lady of Pleasure, by James Shirley, Festival Theatre, Cambridge, 13th - 25th March 1995
- production of The Suppliants of Aeschylus, Festival Theatre, Cambridge, started 20th February 1933
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Festival Theatre, Cambridge
production of The Suppliants of Aeschylus, Festival Theatre, Cambridge, started 20th February 1933 - National Theatre production of Women of Troy, by Euripides, Olivier Theatre, London, 10th March - ? 1995
- production of Women of Troy, by Euripides, Birmingham Repertory Theatre, 4th - 6th March 2010
- Royal Birmingham Conservatoire Theatre Company production of Women of Troy, by Euripides, The Crescent Theatre, Birmingham, 16th - 19th March 2022
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