Alick Johnstone Ltd
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Past productions
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Scenery Painting,
Gone with the Wind, Harold Fielding and Jove Enterprises Inc
3rd May 1972 – 7th April 1973,
Theatre Royal, Drury Lane, London.
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Scenery painted by,
The Day After the Fair, Frith Banbury and Jimmy Wax
11th September 1972 – 5th May 1973,
Lyric Theatre (Shaftesbury Ave), London, Theatre Royal, Brighton, and other locations.
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Scenery painted by,
There’s a Girl in My Soup, Michael Codron
4th September 1972 – 14th July 1973,
Ashcroft Theatre, Croydon, UK tour, and other locations.
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Scenery painted by,
A Bequest to the Nation, Dowling-Whitehead-Stevens and H M Tennent Ltd
15th September 1970 – April 1971,
Theatre Royal, Haymarket, London.
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Scenery painted by,
The Jockey Club Stakes, Henry Sherwood Prouctions Ltd and Peter Saunders
7th September 1970 – 20th November 1971,
Duke of York’s Theatre, London, Vaudeville Theatre, (Strand) London, and other locations.
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Scenery painted by,
Anything for Baby, James Verner for James Verner Ltd
17th February – 5th April 1969,
Theatre Royal, Norwich, Grand Theatre, Leeds, and other locations.
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Scenery painted by,
Halfway Up the Tree, Alexander H Cohen and H M Tennent Ltd
2nd October 1967 – 4th January 1969,
Queen’s Theatre, (Shaftesbury Ave) London (now Sondheim Theatre, London), Royal Court Theatre, Liverpool, and other locations.
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Scenery painted by,
The Flip Side, Michael Codron
17th July 1967 – 7th September 1968,
Apollo Theatre (Shaftesbury Avenue), London, King’s Theatre, Southsea, and other locations.
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Scenery painted by,
Relatively Speaking, Peter Bridge Productions Ltd
20th February 1967 – 3rd February 1968,
Duke of York’s Theatre, London, Theatre Royal, Newcastle upon Tyne, and other locations.
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Scenery painted by,
The Judge, Michael Codron
13th February – July 1967,
Theatre Royal, Brighton and Cambridge Theatre, London.
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Scenery painted by,
A Friend Indeed, Geoffrey Russell and Jack Minster
18th April – June 1966,
Cambridge Theatre, London and Theatre Royal, Brighton.
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Scenery painted by,
Arsenic and Old Lace, Peter Saunders
7th February – 12th November 1966,
Vaudeville Theatre, (Strand) London, Cambridge Arts Theatre, and other locations.
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Scenery painted by,
Never Too Late, Bernard Delfont, Daniel Hollywood, Elliot Martin, and Frederick Granville
9th September 1963 – 7th March 1964,
Prince of Wales Theatre, London, Palace Theatre, Manchester, and other locations.
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Scenery painted by,
The Tulip Tree, Tennent Productions Ltd
5th November 1962 – 30th March 1963,
Theatre Royal, Haymarket, London, Royal Court Theatre, Liverpool, and other locations.
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Scenery painted by,
Rock-A-Bye, Sailor!, Toby Rowland Ltd in association with Pertpic Ltd
24th September – 8th December 1962,
New Theatre, Oxford, Phoenix Theatre, London, and other locations.
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Scenery painted by,
Gentlemen Prefer Blondes, Addey, Owen and Hollerith Ltd and Kenneth Wagg
3rd July 1962 – 20th April 1963,
Princes Theatre, Shaftesbury Avenue, London (now Shaftesbury Theatre, Shaftesbury Avenue, London 1963 – Present Day), Strand Theatre, London (now Novello Theatre, London), and other locations.
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Scenery painted by,
Come Blow Your Horn, Bernard Delfont and Frederick Granville
5th February 1962 – 25th May 1963,
Princess Theatre, Torquay, Brighton Hippodrome, and other locations.
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Scenery painted by,
One More River, LOP Ltd
14th September – 5th December 1959,
Duke of York’s Theatre, London, Westminster Theatre, London, and other locations.
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Scenery painted by,
The Hidden River, David Pelham and Hartney Arthur
9th March – 2nd May 1959,
Cambridge Theatre, London, Theatre Royal, Brighton, and other locations.
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Scenery painted by,
How Are They At Home?, Jack Hylton
27th March – 14th October 1944,
Apollo Theatre (Shaftesbury Avenue), London, New Theatre, Oxford, and other locations.
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Scenery painted by,
The Corn is Green, Stephen Mitchell
15th August 1938 – 15th June 1940,
Duchess Theatre, London, Opera House, Manchester, and other locations.