Julien ball’s profile
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Seen, or going to see
- Our Ladies of Perpetual Succour, Dorfman Theatre, National Theatre, London, National Theatre of Scotland, 10th August – 1st October 2016
- A Little Night Music, Place Theatre, Bedford, Bedfordshire Youth Opera, 30th August – 3rd September 2016
- Time and the Conways, Lyttelton Theatre, National Theatre, National Theatre, 28th April – 28th May 2009
- Bullet Catch, The Arches, Glasgow and The Shed, National Theatre, London, 2009 – 1st June 2013
- Cinderella, Theatre Royal Stratford E15, Theatre Royal Stratford East, 28th November 1998 – 23rd January 1999
- The Emperor Jones, Royal Exchange Theatre, Manchester, Royal Exchange Theatre, Manchester, 23rd October – 8th November 1980
- Joined 5th April 2012.
- Last logged in on 28th January 2022.
Last five observations
- To Classics on a Shoestring production of Arden of Faversham, by Anonymous, Old Red Lion Theatre, London, 7th August - 1st September 1990: “I saw this wonderful production. An earth covered stage, dim atmospheric lighting and candles. It was a very hot August and the auditorium was very uncomfortable, but no one left at the interval.”
- To Michael Codron and Lee Dean production of Alarms & Excursions, by Michael Frayn, Theatre Royal, Bath, Yvonne Arnaud Theatre, Guildford, and other locations, 15th July 1998 - 6th March 1999: “More plays than one! Alarms Doubles Leavings Look Away Now Heart to Heart Toasters Immobiles”
- To Robert Fox in association with Michael Medwin production of Crystal Clear, by Phil Young, Wyndham's Theatre, London, 1st March - 2nd July 1983: “Devised with the company after Phil met Dennis, a blind man, at a meditation centre in Wiltshire”
- To production of Blood Brothers, by Willy Russell, Albery Theatre (now Noël Coward Theatre), London and Phoenix Theatre, London, 28th July 1988 - 27th October 2012: “Con O’ Neill was outstanding”
- To Crucible Theatre Trust Ltd production of A Midsummer Night's Dream, by William Shakespeare, Crucible Theatre, Sheffield, 6th - 30th October 1982: “I saw this production and it knocked me out with its insight and invention. Truly magical.”
Last ten changes
- Manuscript, by Paul Grellong
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Manuscript, by Paul Grellong
Paul Grellong - Sara Tosetti
- David Swayze
- Pablo Schreiber
- Jeffrey Carlson
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Daryl Roth Theater, New York
Daryl Roth and Scott Rudin production of Manuscript, by Paul Grellong, Daryl Roth Theater, New York, 12th June 2005 (press night)
Manuscript, by Paul Grellong - Poppie Nongena, by Elsa Joubert
- The Milk Train Doesn't Stop Here Anymore, by Tennessee Williams
- Habeas Corpus, by Alan Bennett
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