Jean Cadell

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Past productions

• Marie, The Captain’s Lamp 10^th – 15^th October 1955, New Theatre, Oxford.
• Mrs Macdonald, Meet Mr Lucifer 1953 – 1954, Film Version.
• Jo Manifold, All the Year Round 16^th – 27^th October 1951, Theatre Royal, Brighton and Duke of York’s Theatre, London.
• Miss Prism, The Importance of Being Earnest started 3^rd June 1949, New Theatre, Oxford.
• Mrs Hadow, Dark Summer, Tennent Plays Ltd and The Company of Four 8^th September 1947 – 14^th February 1948, Palace Court Theatre, Bournemouth (now Playhouse Theatre, Bournemouth), Lyric Theatre (Hammersmith), London, and other locations.
• Miss Prism, The Importance of Being Earnest 23^rd January – 10^th May 1947, Grand Theatre, London, Ontario and Royale Theatre, New York (now Bernard B Jacobs Theatre).
• Tomorrow the World 30^th August 1944 – 1945, Aldwych Theatre, London.
• Lady Precious Stream 13^th – 25^th September 1943, Theatre Royal, Bristol (pre formation of Bristol Old Vic Company).
• Miss Prism, The Importance of Being Earnest started 14^th October 1942, Phoenix Theatre, London.
• Music at Night 1939 – 1940, Westminster Theatre, London.
• Bijou Furze, Spring Meeting, Gladys Cooper and Philip Merivale 17^th October 1938 – 4^th March 1939, Opera House, Manchester, Morosco Theatre, New York, and other locations.
• Richard III 1937 – 1938, Old Vic, London.
• Malvern Festival 1937 – 1938, Malvern Theatre, Worcestershire.
• Mrs Higgins, Pygmalion, Buxton Theatre Festival and Old Vic Company started 30^th August 1937, Old Vic, London and Buxton Opera House.
• The Boy David 1936 – 1937, His Majesty’s Theatre. Haymarket, London. (now His Majesty’s Theatre, Haymarket, London).
• May Beringer, The Old Ladies 3^rd April – 8^th June 1935, New Theatre (now Noël Coward Theatre), London and St Martin’s Theatre, London.
• Mrs Signus, Pleasure Cruise 1932, Apollo Theatre (Shaftesbury Avenue), London.
• Miss Prism, The Importance of Being Earnest 7^th July 1930 – 1931, Lyric Theatre (Hammersmith), London.
• Mrs Platter, Ever Green, Charles B Cochran 13^th October 1930 – 11^th July 1931, Adelphi Theatre, London and King’s Theatre, Glasgow.
• Beatrice Messiter, The Devil started 12^th January 1930, Arts Theatre, London.
• Miss Shoe, a permanent resident, At Mrs Beam’s 26^th April – November 1926, Guild Theatre, New York (13^th April 1925 – 31^st January 1943).
• Tabitha Harrow, Lavender Ladies, Archibald Nettlefold 29^th July – 12^th December 1925, Comedy Theatre, London (now Harold Pinter Theatre, London) and Lyric Theatre (Shaftesbury Ave), London.
• Mistress Ford, The Merry Wives of Windsor started 14^th December 1924, Regent Theatre, London.
• Miss Shoe, a permanent resident, At Mrs Beam’s 19^th February – 1^st December 1923, Everyman Theatre, London and Royalty Theatre, Dean Street, London.
• Mrs Minnett, The Enchanted Cottage, Owen Nares/B.A. Meyer, in conjunction with Philip Michael FaradayD 1^st March – 22^nd April 1922, Duke of York’s Theatre, London.
• Diff’rent 1921 – 1922, Everyman Theatre, London.
• Miss Shoe, a permanent resident, At Mrs Beam’s, Incorporated Stage Society 27^th February – 1^st March 1921, Kingsway Theatre, London.
• The Son and Heir 1912 – 1913, Whitney Theatre, London (now Novello Theatre, London).
• Bunty Pulls the Strings 10^th October 1911 – September 1912, Collier’s Comedy Theatre, New York (now Mercury Theatre).
• The Thief 1906 – 1907, Grand Theatre, Southampton.