The Late Christopher Bean
Past productions
- Duncan C Weldon and Paul Elliott, Theatre Royal, Bath, Wyvern Theatre, Swindon, and other locations
- Swansea Repertory Company, Grand Theatre, Swansea
- Little Theatre, Bristol
- Colchester Repertory Company, Colchester Repertory Theatre
- Lincoln Repertory Company, Theatre Royal, Lincoln
- Mobile Theatre Ltd., by arrangement with Peter Hoar, Seaford Summer Theatre
- Northampton Repertory Company, Royal & Derngate Theatre, Northampton
- Derek Salberg’s Repertory Company, Alexandra Theatre, Birmingham (now The Alexandra)
- Beacon Players, Shrewsbury Repertory Theatre
- Harry Hanson’s Court Players, Theatre Royal and Empire, Peterborough
- Harry Hanson’s Court Players, Prince’s Theatre, Bradford
- Worthing Theatre Company, Connaught Theatre, Worthing
- Molly May Ltd, Embassy Theatre, Swiss Cottage, Royal Central School of Speech and Drama, London
- Dundee Repertory Theatre, Foresters Hall
- Derek Salberg’s ENSA Company, Alexandra Theatre, Birmingham (now The Alexandra)
- ENSA
- Sally Latimer Productions, Playhouse Theatre, Amersham
- Birmingham Repertory Theatre
- Birmingham Parks
- Little Theatre, Bristol
- Colchester Repertory Company, Colchester Repertory Theatre
- Alexandra Repertory Company, Alexandra Theatre, Birmingham (now The Alexandra)
- Colchester Repertory Company, Colchester Repertory Theatre
- Park Theatre, Hanwell
- Sheffield Repertory Company, Sheffield Playhouse
- Martin Sabine, Victoria Palace Theatre, London
- Swansea Repertory Company, Fforestfach Cross Theatre
- Lyric Theatre (Shaftesbury Ave), London
- Cardiff Repertory Company, Prince of Wales Theatre, Cardiff
- Terence Byron Repertory Company, Prince’s Theatre, Bradford
- Streatham Hill Theatre, London
- St James’s Theatre, London
- Henry Miller’s Theatre, New York (now Stephen Sondheim Theatre)
A play by Emlyn Williams
“The Late Christopher Bean” is a translation and adaptation of the French play “Prenez Garde a la Peinture!” by Rene Fauchois.
It was adapted by Sidney Howard and presented at the Henry Miller’s Theatre in New York in 1932. It was anglicised by Emlyn Williams and presented in London in 1933 when the setting was changed from Boston USA to a small village in the middle of England. The plot remained the same but two characters were renamed and their backgrounds slightly altered.