Christine Kendell’s profile
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Seen, or going to see
- Rupert Brooke, South Hill Park Arts Centre, Wilde Theatre, Useful Donkey Theatre Company, started November 2010
- The Habit of Art, Lyttelton Theatre, National Theatre, 5th November 2009 – 24th January 2010
- The Importance of Being Oscar, South Hill Park Arts Centre, Wilde Theatre, The Original Theatre Company, started 2010
- Waiting for Godot, Theatre Royal, Haymarket, London and UK Tour, March – 9th August 2009
- The Cherry Orchard, South Hill Park Arts Centre, Wilde Theatre, Blackeyed Theatre, started 2009
- Oh What a lovely War, South Hill Park Arts Centre, Wilde Theatre, Blackeyed Theatre, 24th – 27th September 2008
- Oedipus, South Hill Park Arts Centre, Wilde Theatre, Blackeyed Theatre, started 2008
- Shakespeare’s R and J, South Hill Park Arts Centre, Wilde Theatre, The Original Theatre Company, started 2008
- The Resistible Rise of Arturo Ui, South Hill Park Arts Centre, Wilde Theatre, Blackeyed Theatre, started 2007
- The Happy Prince and other stories, Overseas House, 100 Princes Street, Edinburgh, Tall Stories, started 2007
- Three Sisters After Chekhov, South Hill Park Arts Centre, Wilde Theatre, Eclipse Theatre, 28th March – 1st April 2006
- Great Expectations, Corn Exchange, Newbury, Northern Stage, started 2006
- Not About Heroes, Baron’s Court Theatre, 8th February – 6th March 2005
- Blue Remembered Hills, The grounds of South Hill Park, Blackeyed Theatre, started 2005
- A Midsummer Night’s Dream, Watermill Theatre, Newbury, Watermill Theatre, 10th February – 22nd March 2003
- Rose Rage, Watermill Theatre, Newbury, Propellor, started 2001
- King John, Tour of England and Ireland and South Hill Park Arts Centre, Wilde Theatre, Northern Broadsides, ? – 23rd June 2001
- Don Carlos, Royal Shakespeare Company, Stratford-Upon-Avon, 1999 – 2000
- The Spanish Tragedy, Pit, London, Royal Shakespeare Company, 3rd December 1997 (press night)
- The Invention of Love, Cottesloe Theatre (now Dorfman Theatre), National Theatre, London, Lyttelton Theatre, National Theatre, and other locations, National Theatre, 25th September 1997 – 6th February 1999
- Alice and Mr Dodgson, Overseas House, 100 Princes Street, Edinburgh, Tall Stories, started 1997
- Coriolanus, Mermaid Theatre, London, East Productions, started June 1996
- Company, Albery Theatre (now Noël Coward Theatre), London, 7th March – 29th June 1996
- The Duchess of Malfi, Wyndham’s Theatre, London and Theatre Royal, Bury St Edmunds, Cheek by Jowl, 19th September 1995 – 27th January 1996
- The Importance of Being Earnest, Richmond Theatre and Lyceum Theatre, Crewe, English Touring Theatre, 15th March – 3rd June 1995
- An Inspector Calls, Aldwych Theatre, London, 25th August 1993 – 21st January 1995
- The Broken Heart, Barbican Theatre, London, 1994 – 1995
- The House of Mirth, Oxford Playhouse, Cambridge Theatre Company, started 1995
- Hadrian VII, Richmond Theatre, started 1995
- Pericles, National Theatre, London, 1994 – 1995
- The Caretaker, South Hill Park Arts Centre, Wilde Theatre, Compass Theatre Company, started 1995
- Salome, Birmingham Repertory Theatre, 6th – 10th July 1993
- The Beggar’s Opera, Royal Shakespeare Company, Stratford-Upon-Avon, 1991 – 1992
- The Trial, Lyttelton Theatre, National Theatre, National Theatre, 23rd February – ? 1991
- Moscow Gold, Barbican Theatre, London, 1990 – 1991
- The Seagull, Lilian Baylis Theatre, London, 1990 – 1991
- As You Like It, Tour and Albery Theatre (now Noël Coward Theatre), London, 1991 – 11th February 1994
- After the Fall, Cottesloe Theatre (now Dorfman Theatre), National Theatre, London and Lyttelton Theatre, National Theatre, National Theatre, started 15th June 1990
- Pericles, Pit, London, Royal Shakespeare Company, 12th April 1990 (press night)
- When We Dead Awaken, Almeida Theatre, Islington, London, 20th February – 24th March 1990
- Racing Demon, Cottesloe Theatre (now Dorfman Theatre), National Theatre, London, Olivier Theatre, National Theatre, and other locations, National Theatre, started 1st February 1990
- Volpone, Almeida Theatre, Islington, London, 1989 – 1990
- Sara, Lilian Baylis Theatre, London, 1989 – 1990
- As You Like It, Barbican Theatre, London, 1989 – 1990
- All’s Well That Ends Well, Royal Shakespeare Theatre, Stratford-upon-Avon, Royal Shakespeare Company, 10th October 1989 (press night)
- 42nd Street, Theatre Royal, Drury Lane, London, 8th August 1984 – 7th January 1989
- The Man Who Came to Dinner, Barbican Theatre, London, 1988 – 1989
- The Tempest, Barbican Theatre, London, 1988 – 1989
- Measure for Measure, Barbican Theatre, London, Royal Shakespeare Company, 10th October 1988 (press night)
- Three Sisters, Barbican Theatre, London, Royal Shakespeare Company, 9th August 1988 (press night)
- Hyde Park, Pit, London, Royal Shakespeare Company, 8th August 1988 (press night)
- Titus Andronicus, Pit, London, Royal Shakespeare Company, 4th July 1988 (press night)
- Three Sisters, Barbican Theatre, London, 1987 – 1988
- The Churchill Play, Barbican Theatre, London, 24th November – ? 1988
- Fathers and Sons, Lyttelton Theatre, National Theatre, National Theatre, 26th June – ? 1987
- Breaking the Code, Theatre Royal, Haymarket, London and Comedy Theatre, London (now Harold Pinter Theatre, London), 21st October 1986 – 5th September 1987
- Macbeth, Barbican Theatre, London, Royal Shakespeare Company, 1st April 1987 (press night)
- The Merchant of Venice, Royal Shakespeare Theatre, Stratford-upon-Avon, 1986 – 1987
- Who’s Afraid of Virginia Woolf?, Young Vic, London, 1986 – 1987
- Twelfth Night, Donmar Warehouse, London, 1986 – 1987
- Spring Awakening, Young Vic Studio, Inner Circle Theatre Company, 3rd – 20th December 1986
- The Two Noble Kinsmen, Swan Theatre, Stratford-upon-Avon, Royal Shakespeare Company, 8th May 1986 (press night)
- A Midsummer Night’s Dream, Donmar Warehouse, London, Cheek by Jowl, started March 1986
- Ghosts, Young Vic, London and Wyndham’s Theatre, London, 1986 – 14th February 1987
- The Merry Wives of Windsor, Barbican Theatre, London, 1985 – 1986
- The Life and Adventures of Nicholas Nickleby, Royal Shakespeare Theatre, Stratford-upon-Avon, 1985 – 1986
- Love’s Labour’s Lost, Barbican Theatre, London, Royal Shakespeare Company, 7th August 1985 (press night)
- The Duchess of Malfi, Lyttelton Theatre, National Theatre, National Theatre, 28th June – ? 1985
- Waste, Lyric Theatre (Shaftesbury Ave), London, Royal Shakespeare Company, 24th May (press night) – 27th July 1985
- Hamlet, Barbican Theatre, London, Royal Shakespeare Company, 16th April 1985 (press night)
- Phedre, Old Vic, London, 1984 – 1985
- Coriolanus, Olivier Theatre, National Theatre, National Theatre, 30th November 1984 – 1985
- Richard III, Royal Shakespeare Theatre, Stratford-upon-Avon, Royal Shakespeare Company, 19th June 1984 (press night)
- Guys and Dolls, Olivier Theatre, National Theatre, National Theatre, started 12th April 1984
- Educating Rita, Birmingham Repertory Theatre, 7th February – 5th March 1983
- The Rough Edge, Birmingham Repertory Theatre, Birmingham Youth Theatre, started 1983
- Memoirs of a Sad Dog, Midland Arts Centre (MAC), Birmingham, Sad Dog Theatre Co-Operative, started 1982
- All’s Well That Ends Well, Royal Shakespeare Theatre, Stratford-upon-Avon, 1981 – 1982
- The Oresteia, Olivier Theatre, National Theatre, National Theatre, started 20th November 1981
- The Witch of Edmonton, The Other Place, Stratford-upon-Avon, Royal Shakespeare Company, 16th September 1981 (press night)
- The Twin Rivals, The Other Place, Stratford-upon-Avon, Royal Shakespeare Company, 29th June 1981 (press night)
- Chips With Everything, Birmingham Repertory Theatre, Birmingham Repertory Theatre, 2nd – 25th April 1981
- Haworth, Birmingham Repertory Theatre, started 1981
- Overheard, Alexandra Theatre, Birmingham, started 1981
- Hosanna, The Studio, Birmingham Repertory Theatre, started 1981
- Hamlet, Royal Shakespeare Theatre, Stratford-upon-Avon, Royal Shakespeare Company, 2nd July 1980 (press night)
- The Maid’s Tragedy, The Other Place, Stratford-upon-Avon, Royal Shakespeare Company, 14th May 1980 (press night)
- Krapp’s Last Tape, Oxford Playhouse, 1980
- Colette, Alexandra Theatre, Birmingham and Comedy Theatre, London (now Harold Pinter Theatre, London), ? – November 1980
- The Merchant, Birmingham Repertory Theatre, Birmingham Repertory Theatre, started October 1979
- Measure for Measure, Royal Shakespeare Theatre, Stratford-upon-Avon, Royal Shakespeare Company, 27th June 1978 (press night)
- The Taming of the Shrew, Royal Shakespeare Theatre, Stratford-upon-Avon, Royal Shakespeare Company, 4th May 1978 (press night)
- King Lear, Birmingham Repertory Theatre, Prospect Theater Company, 1978
- Henry V, Royal Shakespeare Theatre, Stratford-upon-Avon, Royal Shakespeare Company, 11th July 1977 (press night)
- York Mystery Plays, Museum Gardens, started 1976
- Richard II, Aldwych Theatre, London, Royal Shakespeare Company, 18th September 1974 (press night)
- You Never Can Tell, Birmingham Repertory Theatre, Birmingham Repertory Theatre Company, 18th April – 11th May 1974
- The Changeling, Birmingham Repertory Theatre, Birmingham Rep, 1973
- The Homecoming, Birmingham Repertory Theatre, started 1973
- The Recruiting Officer, Birmingham Repertory Theatre, started 6th April 1972
- The Critic, Birmingham Repertory Theatre, started 1972
- Oedipus the King, Birmingham Repertory Theatre, started 1972
- 1066 And All That, Birmingham Repertory Theatre, 16th December 1970 – 3rd April 1971
- A Midsummer Night’s Dream, Birmingham Repertory Theatre, 4th November – 12th December 1970
- Rosencrantz and Guildenstern are Dead, Birmingham Repertory Theatre, 29th September – 21st November 1970
- Hamlet, Birmingham Repertory Theatre, started 12th February 1970
- The Merchant of Venice, Birmingham Repertory Theatre, 1st October – 30th November 1968
- Treasure Island, Birmingham Repertory Theatre, 15th December 1965 – 19th February 1966
- La Piccola, Unknown location, dates unknown
- Joined 25th February 2017.
- Last logged in on 22nd March 2022.
Last five observations
- To production of Volpone, by Ben Jonson, Almeida Theatre, Islington, London, 1989 - 1990: “The front row was issued with waterproof covers, as there was a lot of water being splashed around on stage.”
- To production of All's Well That Ends Well, by William Shakespeare, Royal Shakespeare Theatre, Stratford-upon-Avon, 1981 - 1982: “It had an Edwardian setting.”
- To The Original Theatre Company production of The Importance of Being Oscar, by Micheal Macliammoir, South Hill Park Arts Centre, Wilde Theatre, started 2010: “The theatre was transformed; rows of seats were replaced with tables and chairs, so that we could imagine ourselves in the Cafe Royale. The set was extraordinary, like an attic or the inside of Wilde’s mind. ”
- To Blackeyed Theatre production of Oh What a lovely War, South Hill Park Arts Centre, Wilde Theatre, 24th - 27th September 2008: “It was performed wih a cast of five.”
- To Royal Shakespeare Company production of The Taming of the Shrew, by William Shakespeare, Royal Shakespeare Theatre, Stratford-upon-Avon, 4th May 1978 (press night): “Jonathan Pryce, as Sly, was in the audience at the beginning of the play. When he began to speak, he appeared to be a drunken heckler. ”
Last ten changes
-
South Hill Park Arts Centre, Bracknell
Blackeyed Theatre production of Not About Heroes, by Stephen MacDonald, South Hill Park Arts Centre, Bracknell, 2014 - production of An Inspector Calls, by J. B. Priestley, Aldwych Theatre, London, 25th August 1993 - 21st January 1995
- Diana van Proosdy
- Prospect Theater Company production of King Lear, by William Shakespeare, Birmingham Repertory Theatre, 1978
- production of Krapp's Last Tape, by Samuel Beckett, Oxford Playhouse, 1980
- Michael Goodliffe
-
Spennymoor Town Hall
Arts Council of Great Britain and Elizabethan Theatre Company production of Hamlet, by William Shakespeare, Spennymoor Town Hall, Chepstow Theatre Club, London W11, and other locations, 28th January - 2nd April 1955 -
Dawn Keeler
The House of Mirth, by Dawn Keeler and Edith Wharton
Edith Wharton -
The House of Mirth, by Dawn Keeler and Edith Wharton
Cambridge Theatre Company production of The House of Mirth, by Dawn Keeler and Edith Wharton, Oxford Playhouse, started 1995 - The Rough Edge, by Derek Nicholls and Ray Speakman
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