McCarthy
Loophole Productions’ second venture, “McCarthy”, was initially presented as a late night show at the University Theatre and subsequently revived (with some cast changes) as a co-production with Manchester Library Theatre at the Forum, Wythenshawe with a short play, “Waxworks”, as a curtain raiser.,
Cast & Crew
Cast
Cohen | Robin Andrews |
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Eddie/Pilot/Petitioner etc | Bernard Hill |
McCarthy | Peter Adamson |
McMurray/Lattimore etc | Antony Sher |
Narrator/Mayor/Taft etc | David Henshaw |
Various ladies | Christie Brown |
Crew | |
Assistant Stage Manager | Ann Fienburgh |
Assistant Stage Manager | Kate Stuart-Wortley |
Business Manager | Nick Wilson |
Composer | Chris Pye |
Designer | Michael Holt |
Director | Stephen Butcher |
Lighting Design | Keith Hubbard |
Make-up | Lois Richardson |
Musician | Jules Burns |
Musician | Chris Pye |
Photography | Deep Vohora |
Production Manager | Christie Brown |
Production Secretary | Sue Jolly |
Script Consultant | Jonathan Powell |
Sound Recordist | Frank Griffiths |
Stage Manager | Judy Crowther |
- Observations (3)
- Added by Stephen Butcher.
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Play description
A slapstick account of the rise and fall of Senator Joe McCarthy, the anti-Communist witch hunter.
Photo credits
Observations
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Peter Adamson was better known as Len Fairclough of “Coronation Street”. Bernard Hill and Antony Sher were at the time students at Manchester Polytechnic School of Drama.
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Beryl Jones, in her Manchester Evening News review, wrote: “The play is fast, clever, funny, and a splendid vehicle for Peter Adamson in the title role. He bluffs his way manfully through McCarthy’s early career, then seems to disintegrate physically until the dreaded investigator is only a drunken ham.”
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In the Manchester Free Press, Roy Johnson wrote: “The lead role was a tour de force by Coronation Street’s Peter Adamson. Working with a small cast and minimal props he gave a compelling performance which ranged from the cynical dynamism of McCarthy’s early successes to an almost pathos-tinged characterisation of his later alcoholism and paranoia…….as a theatrical event it provided the satisfaction and the provocation which are all too rare in many contemporary artistic experiences.”
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