The Faith Machine
On a beautiful September morning in New York Sophie forces Tom into a decision. The choice he makes, and the events of that day, will change their lives forever.
Time-bending across two continents, from America to Britain to a remote Greek island and back again, this painfully funny play explores the relationship between faith and capitalism and asks fundamental questions about the true meaning of love.
First seen at the Royal Court Theatre, London in September 2011.
By arrangement with Nick Hern Books.
Performed by BA (Hons) Acting, working alongside students from the BA (Hons) Theatre Practice.
Cast & Crew
Cast
Annie | Abigail Weinstock |
---|---|
Daniel | Phillip Olagoke |
Edward | Sam Meakin |
Lawrence | Jerry Iwu |
Patrick | Phillip Olagoke |
Sebastian | Alex McCaragher |
Sophie | May Walker |
Tatyana | Georgia Sansom |
Tom | Eamon O’Flynn |
Crew | |
Assistant Production Manager | Edward Callow |
Assistant Stage Manager | Ellie Hutchinson |
Chief Electrician | Daniel Parrott |
Costume Supervisor | Bex Kemp |
Deputy Stage Manager | Grace Antoniou-Phillips |
Designer | Ana Webb-Sanchez |
Director | Debbie Seymour |
Dresser | Rachel McNutt |
Dresser | Moneka Prato |
Lighting Designer | Mattis Larsen |
Movement Coach | Vanessa Ewan |
Production Carpenter | William Edwards |
Production Electrician | Ciara Moss |
Production Manager | Joe Monk |
Production Sound Engineer | Amber Carey |
Production Supervisor | Shaz McGee |
Programmer | Ebbe Rodtborg Lauritsen |
Props Buyer | Suzie Dubowski |
Sound Crew | Jessica Cluff |
Sound Crew | Leeluu Dallas King |
Sound Crew | William Howe |
Sound Crew | Isobel Mackintosh |
Sound Crew | Dylan Saberton |
Sound Crew | Ali Taie |
Sound Crew | Chloe Toland |
Sound Designer | Peter Rice |
Stage Manager | Elísa Hermannsdóttir |
Voice Coach | Claudette Williams |
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Play description
On a beautiful September morning in New York Sophie forces Tom into a decision. The choice he makes, and the events of that day, will change their lives forever.
Time-bending across two continents, from America to Britain to a remote Greek island and back again, this painfully funny play explores the relationship between faith and capitalism and asks fundamental questions about the true meaning of love.
Photo credits
Observations
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