7 October-2 November, Eisenhower Theatre, Kennedy Center, Washington, DC, USA;
4 November 1974- 1 February 1975, Broadhurst Theater, New York, USA.
Cast & Crew
|Alfred Bassick||Martin Milman|
|Alice Faulkner||Mel Martin|
|Count Von Stalburg||John Bott|
|Doctor Watson||Tim Pigott-Smith|
|James Larrabee||Nicholas Selby|
|Jim Craigin||Morgan Sheppard|
|John Forman||Harry Towb|
|Lightfoot McTague||Joe Marcell|
|Madge Larrabee||Barbara Leigh-Hunt|
|Professor Moriarty||Philip Locke|
|Sherlock Holmes||John Wood|
|Sidney Prince||Trevor Peacock|
|Sir Edward Leighton||John Keston|
|Thomas Leary||Keith Taylor|
|Unnamed parts||Wendy Bailey|
|Unnamed parts||Joseph Charles|
|Unnamed parts||Alan Coates|
|Unnamed parts||Robert Cook|
|Unnamed parts||Joe Marcell|
|Unnamed parts||Michael Walker|
|Light Designer||Neil Peter Jampolis|
|Music by||Michael Lankester|
|Playwright||Arthur Conan Doyle|
Seen, or going to see
(Courtesy of Wikipedia) ‘Sherlock Holmes’ is a four-act play written by William Gillette and Sir Arthur Conan Doyle, based on Conan Doyle’s character Sherlock Holmes.
Sir Arthur Conan Doyle had always had an interest in writing for the stage but his efforts had yet to show any success. Recognizing the success of his character Sherlock Holmes, Conan Doyle decided to pen a play based on him.
American theatrical producer Charles Frohman approached Conan Doyle and requested the rights to Holmes. While nothing came of their association at that time, it did inspire Conan Doyle to pen a five-act play featuring Holmes and Professor Moriarty. Upon reading the play, Frohman felt that it was unfit for production and instead persuaded Conan Doyle that actor William Gillette would be an ideal Holmes and would also be the perfect person to rewrite the play. Gillette, a successful playwright, donned a deerstalker and cape to visit Conan Doyle and request permission not only to perform the part but to rewrite it himself.
The play itself drew material from Conan Doyle’s published stories “A Scandal in Bohemia”, “The Final Problem”, and A Study in Scarlet, while adding much that was new as well. As the plot was largely taken from Doyle’s canon, with some dialogue directly lifted from his original stories, Doyle was credited as a co-author, even though Gillette wrote the play.
Gillette took great liberties with the character, such as giving Holmes a love interest. While Conan Doyle was initially uncomfortable with these additions, the success of the play softened his views; he said, “I was charmed both with the play, the acting, and the pecuniary result.” Doyle later recounted how he had received a cable from Gillette inquiring, “May I marry Holmes?”, to which Conan Doyle replied, “You may marry him, murder him, or do anything you like to him.” The love interest was modelled on Irene Adler’s role in “A Scandal in Bohemia”, with Gillette reinventing the character and renaming her “Alice Faulkner”.
I was an usher at the Eisenhower when the play was in Washington, D.C. The opening music has stuck with me all my life and I’m STILL trying to find it!
If you have an interesting observation or anecdote about this production that you think others may be interested in, please sign in in order to record it here.