Pygmalion
This specific production does not yet have a description, but the play itself does:
Pygmalion is a play by George Bernard Shaw, named after a Greek mythological character. It was first presented on stage to the public in 1913.
Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador’s garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women’s independence.
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life.
Shaw mentioned that the character of Professor Henry Higgins was inspired by several British professors of phonetics: Alexander Melville Bell, Alexander J. Ellis, Tito Pagliardini, but above all, the cantankerous Henry Sweet.
Cast & Crew
Cast
Unknown | Marie Ault |
---|---|
Unknown | Brenda Bruce |
Unknown | Alan Chadwick |
Unknown | John Harrison |
Unknown | Joan Heath |
Unknown | Curigwen Lewis |
Unknown | Elspeth March |
Unknown | Richard Parry |
Unknown | Betty Paul
(credited as Betty Percheron) |
Unknown | Derek Prentice |
Unknown | Alan Robinson |
Unknown | Jasmine Shushtary |
Unknown | Peter Standfast |
Unknown | Isabel Thornton |
Unknown | Cecil Trouncer |
Alfred Doolittle | Wilson Coleman |
Eliza Doolittle | Wendy Hiller |
Henry Higgins | Ernest Thesiger |
Crew | |
Designer | Muriel Sterling |
Director | H M Prentice |
Stage Director | Charles Victor |
Stage Manager | Kenneth Fraser |
- Source: Birmingham Libraries archive (AHDS record)
- Last modified by Jared William.
- Add an observation
- Edit this production
- I saw this production
- This is a duplicate of another production
Photographs
If you have a photograph or picture that illustrates this production, please sign in to upload it, or add it to Flickr and tag it with .
Observations
If you have an interesting observation or anecdote about this production that you think others may be interested in, please sign in in order to record it here.