Suzanne Billings
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Past productions
- Costume Design, The Importance of Being Earnest, Liverpool Playhouse
- Designer, The Rivals, London Theatre Company
- Costumes designed by, A Doll’s House, Forum Theatre Billingham and Paul Elliott and Duncan C Weldon for Triumph Theatre Productions
- Costumes, My Giddy Aunt
- Costumes designed by, Don Juan, Farnham Repertory Company
- Set Designer, Under Milk Wood, Torbay Theatre Company
- Set Designer, A Man for All Seasons, Torbay Theatre Company
- Ladies' costumes designed by, Thark, Cooney Productions & Enterprises Ltd
- Setting designed by, Don’t Talk To Me About Love, Farnham Repertory Company
- Settings designed by, Beauty and the Beast, Farnham Repertory Company
- Setting designed by, One for the Pot, Farnham Repertory Company
- Settings designed by, You Never Can Tell, Farnham Repertory Company
- Settings designed by, Two Accounts Rendered, Windsor Theatre Company
- Setting designed by, Busman’s Honeymoon, Farnham Repertory Company
- Setting designed by, Mary, Mary, Farnham Repertory Company
- Designer, East Lynne, Pitlochry Festival Theatre Company
- Designer, Twelfth Night, Pitlochry Festival Theatre Company
- Settings designed by, An Ideal Husband, Farnham Repertory Company
- Settings designed by, The Confederacy, Farnham Repertory Company
- Settings designed by, The Private Ear and the Public Eye, Farnham Repertory Company
- Settings designed by, Murder in the Cathedral, Farnham Repertory Company
- Setting by, Foursome Reel, Pitlochry Festival Theatre Company
- Decor, The Picture of Dorian Gray, Dene Productions Ltd
- Designer, Dear Delinquent, Belgrade Theatre Company
- Setting painted by, The Little Hut, Windsor Repertory Company
- Setting painted by, The Touch of Fear, Windsor Repertory Company